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2423
紙本 彩墨
1975年作
簽名：林風(fēng)眠 一九七五年
鈐印：林風(fēng)瞑印（朱）
說明：1.本作品為1977年林風(fēng)眠即將離國(guó)之際贈(zèng)予好友兼同事于庾梅女士。
2.本拍品直接得自于庾梅女士。
3.附林風(fēng)眠致于庾梅贈(zèng)畫信札一通。
4.信札僅為佐證，非拍賣品。
5. 藏家簡(jiǎn)介：于庾梅，杭州人，是上海中國(guó)畫院正式建院時(shí)最早的行政人員，曾長(zhǎng)期在畫院擔(dān)任財(cái)務(wù)工作，與畫院林風(fēng)眠、唐云、朱屺嶦、程十發(fā)等老畫家交往頗深，彼此住處鄰近，常得到畫家字畫饋贈(zèng)。
LIN FENGMIAN（1900-1991） FLOWERS
Ink and color on paper
Dated 1975
Description: signed with a seal of the artist and dated;
Note: 1. This work was dedicated to Yu Yumei who is the friend and colleague of Lin in 1997.
2. This object was received from Yu Yumei.
3. Attached a letter about Lin dedicate the painting to Yu.
4. The letter is evidence not the auction object.
5. Collector Introduction: Yu Gengmei is Hangzhou local people, She is the earliest administrative staff when the Shanghai Chinese Painting Academy formal established, and took charge of financial works for a long time, and have close personal friendship with Lin Mianfeng, Tang Yun, Zhu Qishan and Cheng Shifa, always received the calligraphy and paintings from the artists.
46×54.5cm
RMB: 1,800,000-2,800,000
林風(fēng)眠 1900年生于廣東。現(xiàn)代畫家、美術(shù)教育家。1918年赴法國(guó)學(xué)習(xí)繪畫，入巴黎國(guó)立高等美術(shù)學(xué)校，作品曾入選法國(guó)秋季沙龍。1925年出任北平藝術(shù)專科學(xué)校校長(zhǎng)兼教授。1927年受蔡元培之邀任杭州國(guó)立藝術(shù)院校長(zhǎng)，倡導(dǎo)中西合璧的藝術(shù)運(yùn)動(dòng)創(chuàng)作經(jīng)驗(yàn)和理論。解放后，任上海中國(guó)畫院畫師。1977年定居香港繼續(xù)從事藝術(shù)創(chuàng)作至晚年，是享有國(guó)際聲望及地位的中國(guó)畫家之一。主要藝術(shù)活動(dòng)：1922年，“巴黎秋季沙龍”。1924年，“巴黎秋季沙龍”。1925年，“國(guó)際裝飾藝術(shù)展”。1929年，“第一屆全國(guó)美展”。1937年，“第二屆全國(guó)美展”；“林風(fēng)眠個(gè)展”。1945年，“第四屆全國(guó)美展”；“重慶現(xiàn)代繪畫展”。1979年，“林風(fēng)眠個(gè)展”。1989年，“林風(fēng)眠個(gè)展回顧展”；“林風(fēng)眠畫展”。1991年，被臺(tái)灣文建會(huì)授予美術(shù)特別貢獻(xiàn)獎(jiǎng)及文藝獎(jiǎng)?wù)隆?
Lin Fengmian was born in Mei County of Guangdong Province in 1900. He went to France and entered ENSBA in 1918. After returning to the motherland, he assumed his office in the State-run Art Academy and then settled down in Shanghai in 1951. He held his personal exhibition in the Oriental Art Museum in Paris. He lived in Hong Kong from 1977 till death. He has applied himself to the career of combining the spirit of Chinese traditional painting with that of western and modern art and therefore enjoys loft international reputations.
林風(fēng)眠致于庾梅贈(zèng)畫親筆信